While brass drives the music of St. Paul & The Broken Bones, the roots of classic rock are all in there, blended together in a powerfully unique sound.
One of the staples of my teenage radio-listening days was the “Old, New, Borrowed and Blue” sets on WNEW in NYC. This is my first post employing the format. It features, among others, the great Richard Thompson.
Shovels and Rope mix lots of different musical elements all dear to classic rock fans. There’s folk, bluegrass, rock, garage, country, and a hint of punk, all tied together with pitch-perfect harmonies.
“Blue Eyes” is the first tune that ever hooked me from the lead-in count of “one, two, three, four. . .,” which is followed by a twangy, country-fried opening riff that sets the tone for the mellow Neil Young groove reverberating throughout the track.
I was jogging in the Oakland hills the other day, listening to a Pandora shuffle, when a version of Hendrix’s “Voodoo Child” stopped me in my tracks and challenged my long-held theory of cover songs.
I know a band rocks when it inspires a bald fifty-something to stage dive — thrice. And my wife to skip the gym in favor of drinking.
The Stone Foxes, originally from California’s Central Valley and now hailing from San Francisco, have a polished grittiness that features great structure and arrangements while also displaying the rawness that epitomizes rock.
Heartless Bastards is a unique blend of many roots and classic rock influences. There is a lot going on with this band, all of it good.